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Hey, you might think that all powerful men are equal, but then again you realize that some of them are more equal than others..
The wonder of Irving was that he combined this lack of sentimentality with a genuine generosity of spirit. He was a deeply good man who disdained shows of goodness, deflecting expressions of gratitude or admiration with a disarming charm and an irresistible smile. That's because he possessed what might be called a moral humility. For Irving, doing good -- witness the posthumous flood of grateful e-mails, letters and other testimonies from often young and uncelebrated beneficiaries of that goodness -- was as natural and unremarkable as breathing.
Kristol's biography has been rehearsed in a hundred places. He was one of the great public intellectuals of our time, father of a movement, founder of magazines, nurturer of two generations of thinkers -- seeding our intellectual and political life for well over half a century.
Having had the undeserved good fortune of knowing him during his 21-year sojourn in Washington, I can testify to something lesser known: his extraordinary equanimity. His temperament was marked by a total lack of rancor. Angst, bitterness and anguish were alien to him. That, of course, made him unusual among the fraternity of conservatives because we believe that the world is going to hell in a handbasket. That makes us cranky. But not Irving. Never Irving. He retained steadiness, serenity and grace that expressed themselves in a courtliness couched in a calm quiet humor.
Mike Bongiorno is not particularly good-looking, not athletic, courageous, or intelligent. Biologically speaking, he represents a modest level of adaptation to the environment. The hysterical love he arouses in teenage girls must be attributed partly to the maternal feelings he arouses in a female adolescent, and partly to the glimpse he allows her of an ideal lover, meek and vulnerable, gentle and considerate. Mike Bongiorno is not ashamed of being ignorant and feels no need to educate himself. He comes into contact with the most dazzling areas of knowledge and remains virgin, intact, a consolation to others in their natural tendencies to apathy and mental sloth. He takes great care not to awe the spectator, demonstrating not only his lack of knowledge but also his firm determination to learn nothing.
On the other hand, Mike Bongiorno displays a sincere and primitive admiration for those who do know things. He emphasizes, however, their physical qualities, their dogged application, their power of memory, their obvious, elementary methodology. A man becomes cultivated by reading many books and retaining what they say. Mike Bongiorno hasn't the slightest inkling that culture has a critical and creative function. For him, its only criterion is quantitative. In this sense (having to read many books in order to be cultured), the man with no natural gifts in that direction simply renounces the attempt.
Mike Bongiorno professes a boundless faith in the expert. A professor is a man of learning, a representative of official culture; he is the technician in the field. The question goes to him, to his authority. . But true admiration of culture is found only when, through culture, money is earned. Then culture proves to be of some use. The mediocre man refuses to learn, but he decides to make his son study. Mike Bongiorno's notion of money and its value is petit bourgeois: "You've now won a hundred thousand lire! A tidy sum, eh?"
Mike Bongiorno thus expresses to the contestant the merciless reflections that the viewers will be making at home: "You must be very happy with all this money, considering the monthly salary you earn. Have you ever put your hands on so much money before?"
[…]
Mike Bongiorno accepts all the myths of the society in which he lives. When Signora Balbiano d'Aramengo appears as a contestant, he kisses her hand, saying that he is doing this because she is a countess (sic).
With society's myths he accepts also society's conventions. He is paternal and condescending with the humble, deferential with the socially distinguished.
Handing out money, he instinctively thinks, without explicitly saying so, more in terms of alms than of deserved rewards. He indicates his belief that in the dialectic of the classes the one route of upward mobility is represented by Providence (which, on occasion, can assume the guise of Television).
Mike Bongiorno speaks a basic Italian. His speech achieves the maximum of simplicity. He abolishes the subjunctive, and subordinate clauses; he manages to make syntax almost invisible. He shuns pronouns, repeating always the whole subject. He employs an unusually large number of full stops. He never ventures into parentheses, does not use elliptical expressions or allusions. His only metaphors are those that now belong to the commonplace lexicon. His language is strictly referential and would delight a neo-positivist. No effort is required in order to understand him. Any viewer senses that he himself, if called upon, could be more talkative than Mike Bongiorno.
Mike Bongiorno rejects the idea that a question can have more than one answer. He regards all variants with suspicion. Nabucco and Nabuccodonosor are not the same thing. Confronted by data, he reacts like a computer, firmly convinced that A equals A and tertium non datur. An inadvertent Aristotelian, he is consequently a conservative pedagogue, paternalistic, reactionary.
Mike Bongiorno has no sense of humor. He laughs because he is happy with reality, not because he is capable of distorting reality. The nature of paradox eludes him; if someone uses a paradox in speaking to him, he repeats it with an amused look and shakes his head, implying that his interlocutor is pleasantly eccentric. He refuses to suspect that behind the paradox a truth is concealed, and in any case he does not consider paradox an authorized vehicle of expression.
traditional prudence would have suggested to ask the “convicted” to step down, assuming less prominent roles, less exposed to blackmail and scandal news. And this even if the whole story had been a misunderstanding, a revenge, a miscarriage of justice.
[…]
The oblivion of the virtue of prudence costs dear.